I'm surprised no one has brought this up--I've been thinking about it for weeks now. What is going on with the stripper's story as an example of a no-no in AA, even with a grievous whopper of a tale like that? (pp. 370-374)
Is it the case that 1) Wallace (the narrator) is being tough on the stripper and her particular narrative? 2) AA is being tough on the stripper and Wallace is just attempting to explain why and how they are? 3) It's both. Neither the narrator or AA's sense of empathy is evoked by this type of narrative, (so ours shouldn't be either)?
First, compare the Don Gately section from pages 446 to 449 beginning
"They neglect to tell you that after the urge to get high magically vanishes and you've been Substanceless for maybe six or eight months, you'll begin to start to 'Get In Touch' with why it was that you used Substances in the first place. You'll start to feel why it was you got dependent on what was, when you get right down to it, an anesthetic. 'Getting In Touch With Your Feelings' is another quilted-sampler-type cliche that ends up masking something ghastly deep and real, it turns out."
He then goes on to "causal attribution"--it's in his head, it's not a narrative he has used (yet?) when he does a Commitment, and it's a bitch of a childhood although less bad than the stripper's. Who, by the way, has her past tragedy, as over-the-top as the story is, belittled by the description "even though plenty of these White Flaggers, Gately knows, has personal childhood's that made this girl's look like a day at Six Flags Over the Poconos" (374). Really? I shudder to think. And notice it doesn't say that Gately's childhood would make her childhood look like a day at SFOTP. His just wasn't as bad.
Why is it a "look-what-happened to poor-me" moment when the stripper talks about her childhood, but not when the narrator is talking about Gately? Only because it remains, in effect, an interior monologue?
What narrative avenue is open to her with a childhood this radically awful if she's barred from causal attribution? What avenue would be open to anyone in AA? I would say any clinician reading a case study on this girl would be astonished that she survived at all with her mind intact. That's what I guess I would be thinking if I was sitting in that AA meeting and hearing her story. I might become a little bored, maybe, but I'd be saying damn, anyone would be a messed-up addict with that experience, and feel terrribly for her.
Is the fact that the child rape is so hyperbolically grotesque as to almost seem like a spoof, whereas Don's bad childhood is more realistic and not any sort of parody at all, another indicator that we are to feel empathy for his story, but not for her "abuse excuse" tale. Are the comments about how these horrors that we're reading about are nothing compared to other White Flaggers supposed to be taken seriously?
And what's the solution for her if she can't say what the narrator says for us, to show us how deserving of shunning and even punishment she now is? Perhaps Wallace just used too radically tragic and grotesque a story to illustrate this point?
How lonely it would be if someone in AA in real life had a story just like this, and they weren't supposed to tell it. I'm not too knowledgable about AA, and so I wonder how they would be expected to "Get In Touch With Their Feelings" in front of the group.
I am befuddled by all this and I would love to hear anyone's responses.
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