Re: what J.O. tells Hal about having the cartridge in his head and about Avril putting something in the cereal:
I've tended to read both of these as paranoid delusions of J.O., just like his conviction his son does not speak. Which isn't to say these delusions aren't twisted versions of some real actions/conspiracy by Avril or others.
As far as the origin of Hal's special abilities, I've always tended to hypothesize their origin in the childhood scene -- introduced in that very first chapte*r -- where Hal, as a child, finds and eats mold from the basement. It makes sense to me both because of the relation of the creation of both LSD and DMZ to molds and because of the weird self-reflexive nature of the mold he finds -- it was a mold that grew on top of a mold, not to mention the wordplay with other definitions/ideas of a mold or molding.
Essentially, my somewhat inchoate theory involves Hal, because of his childhood exposure to the first mold, having a risk of responding extra-weirdly-and-tragically to an exposure to the DMZ (? was the childhood mold, perhaps, a "ditchweed" natural producer of DMZ?). Or, again because of the childhood exposure, he is, even without further DMZ exposure, subject to a sort of Schizophrenic** personality alteration as he undergoes withdrawl from Bob Hope or depression or similar. Or, of course, could give him a unique reaction to exposure to the Entertainment (as I recall, the scene later in the book where he is watching cartridges alone is full of a number of hints about mislabling/misplaced cartridges that it is just possible that we are meant to suspect a copy of the Entertainment still exists at E.T.A. -- correct me if I'm wrong.)
As far as relating back to the conspiracy angle, there is, of course, the origin of the DMZ Pemulis scores: he gets it, as I recall, from the Antitois, who are intimiately tied into the plotlines of the Quebequois conspiracy tangles, as well as to how the Entertainment manages to get disseminated.
Have read the book (several times before), but am currently only midway through Mario's post-Eschaton puppet show film, so any second half of the novel references to any of this mold stuff I am quite likely forgetting. I am also forgetting where the childhood home was that Hal would have found the mold in (i.e. was it close to the concavity and was it before or after the concavity was created, facts that could influence whether the mold is supposed to be linked to the mutating effects of the concavity, thus even more literally than the "feral prodigy" film linking Hal to the feral hamsters and giant babies of said concavity).
* aware that Hal knows of this scene through Orin's retelling of it, but the details of it seem spot on enough (especially Avril's reaction) and the reasons for lying about it seem difficult enough to imagine that I tend to trust its veracity as a childhood incident.
** as I am writing this, am just now making the connection that, as schizophrenia has its highest level of onset in late teens/early 20's and is also one of the most strongly genetically linked mental illnesses, there may be intentional material here to explain Hal's condition. Of course, J.O.I.'s delusions seem as much if not more likely products of chronic alcoholism than straightforward schizophrenia, and the introduction of any trope of schizophrenia would certainly not rule out possible weird inter-reactions with DMZ/childhood mold/Entertainment exposure that would otherwise explain Hal's condition.
Last edited by doubtful geste on Tue Jul 21, 2009 10:46 am, edited 1 time in total.
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